Anthony Bourdain in Mexico City

A few weeks ago I got a call from a production company in New York. Called Zero Point Zero, they make Anthony Bourdain’s show No Reservations. They were wondering if I might be able to help them out while preparing to shoot a program in Mexico City.

They didn’t have to ask twice. I admire Bourdain and, having spent a couple of years of my youth working in restaurants, believe his book Kitchen Confidential is essential, one that had to be written. He is also one of the few people in the world I envy: Who wouldn’t like to be paid to travel around the world and eat?

In any case, I not only recommended some of my favorite restaurants, cantinas and stalls for eating street food, I was also able to spend some time with the crew while they were in town shooting. Bourdain – who everyone calls “Tony” – did not disappoint. Indeed, he fulfilled all expectations. The Lenny Bruce of cookery, he frequently spoke in uninterrupted monologues full of jokes of a scatological or sexual nature (sometimes both), jokes that would probably result in a lawsuit if I were to repeat them here.

The show is set to air early next year. Tony is pictured above sampling what is known as a taco sudado – a “sweaty taco,” so-called because after being fried in the morning they spend the next hours steaming in a basket until they sell out. They are the cheapest tacos in Mexico City and, in my opinion, sublime. There will be another post at a future date about Juan Monsalvo, the sweaty taco salesman under the umbrella.

Miguel Angel and San Charbel

A few years ago I read a review of a film called Game Six, and although it was not very favorable, I wanted to see it because its script was written by Don DeLillo, a writer I admire. I lamented that this was precisely the sort of small independent film that would never in my wildest dreams make it to Mexico City.

Six days later, I was having lunch in a cantina in the Colonia Narvarte called La Mansión de Oro. A man whose face indicated a great deal of life experience entered, and began to circulate from table to table. From a satchel, he was selling piles of pirated DVDs of recent films. Most were the usual suspects – the latest releases from Disney, action movies, blockbusters based on comic book characters. But there were also art movies from France and Japan, a smattering of black-and-white classics, and – lo and behold – Game Six.

After I made my purchases, the salesman, whose name is Miguel Ángel Zamora López, gave me a little card bearing the image of San Charbel, a Lebanese Maronite monk who was enshrined in 1977 by Pope John Paul II. He has become one of Mexico City’s most popular saints in recent years. (There are some 400,000 Mexicans of Lebanese descent, and they were the first to embrace Charbel and include him in their masses.) Miguel Ángel, pictured above, is one of the saint's truest believers.

After buying the film I invited Miguel Ángel have a drink with me. He told me he hadn’t touched alcohol in 17 years, so we made a date to have a coffee later that week. His dramatic story – and that of San Charbel – are in my book First Stop in the New World.

Tio Pepe

When my book Las llaves de la ciudad came out here, various interviewers asked me what my favorite cantina in Mexico City is. I think they were testing me, to see if I would come up with someplace they'd never been to, or a joint that's in every tourist guidebook.

Photo by Everett McCourt

Asking me which is my favorite cantina is a little bit like asking a mother which is her favorite child. Choosing a cantina has to do with various factors: what time of day it is, what neighborhood in which I find myself, whether I want to eat or am only interested in drinking. But if I absolutely had to choose one, I believe it would be Tio Pepe, at the corner of Independencia and Dolores, a stone's throw from the Alameda Central and at the portal of Mexico City's one-block-long Chinatown.

Shabby-genteel, the fixtures, and the stained-glass advertisement for Hennessy cognac above the bar, are from the turn of the 20th century. I like to go to Tio Pepe in the late afternoon, and sometimes stay until closing time, which is usually fairly early, around 10 pm. There is no food here, except peanuts. Most of the customers are older gentlemen getting progressively shitfaced. Sometimes itinerant troubadors wander in, guitar straps slung across their shoulders, but they are usually more interested in drinking than in performing.

Pictured above is Sebastian, who has been waiting tables at Tio Pepe for at least as long as I have been a customer (since 1990). Sometimes many months go by between my visits, but Sebastian always treats me --and whichever guests I may bring -- as if we show up every night and spend thousands of pesos.

Did you ever see an elephant fly?

Some readers may remember the most memorable line from the film Dumbo. While we are on the subject of elephants, let’s have a moment of silence for Indra, 40 years old, five tons in her stocking feet, who broke free from her feeding at the Circo Unión in the wee hours last Monday night. The circus was in Ecatepec, near the Teotihuacán pyramids just outside of Mexico City, and poor Indra stumbled onto the traffic of the Mexico-Tulancingo highway, where she was hit by a bus. Witnesses say that the crash was inevitable – who expects to suddenly encounter an elephant while hurtling along the highway? The driver, Tomás López Durán, 49, also died a few minutes after the crash. But not until he managed to stop the bus in the mud beside the highway, thus saving all 41 passengers.

Birth control

Forgive the poor quality of the photo, but it is worth publishing because it is emblematic of Mexico City’s 21^st-century identity problems. Mayor Marcelo Ebrard would have us believe that the city is, to use the government’s word, “liberal” – in the sense of being on the forefront of cutting-edge social and cultural thought and action. A case in point is the Mexico City law that permits women to have first-trimester abortions. (Most of Latin America, including the rest of Mexico, only allows abortions in cases of rape.)

However, this subway ad, for an organization called Vifac, purports to help pregnant women – according to its website, by shepherding them through their pregnancies and, in some cases, finding homes in which the babies can be placed for adoption. One citizen scrawled across the top of the ad Mejor no cojan – “better that they don’t fuck.”

Which perhaps demonstrates that it is hard for a city to be liberal when most of its most important institutions – such as the church and the family – still equate any woman who exercises her sexuality with a prostitute. About a month ago, Mexico City’s Catholic archdiocese suggested that woman should not wear miniskirts or provocative clothing, as those sort of outfits provoke men to rape.